#J ELIZABETH PORTRAITURE SERIES#

Pressure-cooker deadlines, muckraking, whistle-blowing, backstabbing, libel, ethical dilemmas, and the desperate, unscrupulous lengths some reporters will go to get a story-itвЂ™s all part of the industry that makes the news cycle go round. In the cutthroat world of the newsroom, what goes on behind the scenes is often as juicy as the headlines splashed across the front page-at least if these ink-stained classics are to be believed.

The Perfect Candidate, Haifaa al-Mansour, 2019.

Butter on the Latch, Josephine Decker, 2013.

Margot at the Wedding, Noah Baumbach, 2007.

The Virgin Suicides, Sofia Coppola, 1999.

Just Another Girl on the I.R.T., Leslie Harris, 1992.

One Sings, the Other DoesnвЂ™t, AgnГЁs Varda, 1977.

CГ©line and Julie Go Boating, Jacques Rivette, 1974.

From nuanced portraits of transformative adolescent friendships (Old Enough, Just Another Girl on the I.R.T., Girlhood) to affecting stories of women helping each other through personal crises (Passion Fish, Fourteen) to incisive studies of the complexities of sisterhood (The Virgin Suicides, Margot at the Wedding, Mustang), the relationships on display within these films are idiosyncratic and often troubled, but also a source of strength andВ empowerment. The intense, intimate ties that bind women are at the center of these wide-ranging portraits of female friendship and sisterhood that explore the ways in which women support each other: through gestures of solidarity, the sharing of confidences, playfulness, spontaneity, and adventure.

Pickup on South Street, Samuel Fuller, 1953.

Where the Sidewalk Ends, Otto Preminger, 1950.

Featuring the sophisticated murder mystery Laura, the haunting existential carnival ride Nightmare Alley (based on the same novel as Guillermo del ToroвЂ™s soon-to-be-released remake), and the Technicolor noir Niagara, starring Marilyn Monroe in her screen-scorching breakthrough performance, this selection of pulp classics and rarities is a plunge into the darkest realms of HollywoodвЂ™sВ imagination. The dark unconscious of midcentury America is reflected in these shadowy gems from Twentieth Century-Fox, where major directors like Otto Preminger, Elia Kazan, and Samuel Fuller, working with stars like Richard Widmark, Gene Tierney, and Dana Andrews, created some of the defining film noirs of the genreвЂ™s golden era.

Farewell, My Lovely, Dick Richards, 1975.

The Friends of Eddie Coyle, Peter Yates, 1973.

The Grass Is Greener, Stanley Donen, 1960.

Home from the Hill, Vincente Minnelli, 1960.

Not as a Stranger, Stanley Kramer, 1955.

The Night of the Hunter, Charles Laughton, 1955.

Rachel and the Stranger, Norman Foster, 1948.

Out of the Past, Jacques Tourneur, 1947.

Till the End of Time, Edward Dmytryk, 1946.

Encompassing MitchumвЂ™s autumnal turns in films like the world-weary crime drama The Friends of Eddie Coyle and Jim JarmuschвЂ™s Dead Man, this career-spanning tribute to the legend known as вЂњOld Rumple EyesвЂќ is proof positive that he was, quite simply, one of the all-time coolest guys ever to grace theВ screen. WellmanвЂ™s fascinatingly stylized snowbound western Track of the Cat and Vincente MinnelliвЂ™s florid family melodrama Home from the Hill. But out of the noir shadows, MitchumвЂ™s nonchalant air and unforced naturalism lent something special to a wide array of films, including William A.

Unnervingly at home in antihero roles, he embodied some of the most frightening villains in all of cinema, including the menacing, knuckle-tattooed preacher in Charles LaughtonвЂ™s dark fairy tale The Night of the Hunter and the psychotic ex-con out for revenge in the terrifying home-invasion thriller Cape Fear. Original Hollywood bad boy Robert MitchumвЂ™s blend of rugged masculinity, antiauthoritarian attitude, and lightly bemused irony made him one of the defining faces of postwar film noir, a genre upon which he left an indelible mark in stone-cold classics like Out of the Past, Crossfire, and Angel Face.

#J ELIZABETH PORTRAITURE SERIES#

DonвЂ™t forget to check the Criterion ChannelвЂ™s main page regularly though, as they occasionally will drop surprises that arenвЂ™t included in the official pressВ release.ДonвЂ™t subscribe yet? Start a 14-day freeВ trial FEATURED SERIES Premiering November 1ДЇeaturing a new introduction by critic Imogen SaraВ Smith For November, the Channel will feature films from Garrett Bradley, Jane Campion, Lisa Immordino Vreeland, andВ more!Д«elow youвЂ™ll find the programming schedule for the month, along with a complete list of titles that Criterion has in store for us. Each month, the programmers at the Criterion Channel produce incredible line-ups for their subscribers.

J elizabeth portraiture